Sam, who after his motorcycle is damaged in an apparent crash into the ocean, becomes stranded in a small New England town, finds refuge at a run-down motel managed by Kate, a similarly burnt-out, lost soul. The mystery around Sam’s presence in town unravels when it’s discovered that his estranged daughter Audrey lives there – the daughter he hasn’t seen her in 25 years. As he tries to bridge the gap between the little girl he left long ago and the woman who grew up without her father, Sam learns he was never cut-out to be emotionally connected to anyone – unless he falls in love with another soul just as lonesome.

Martial arts expert Matt Hunter was one of the most promising operatives in Army intelligence until his parents were killed by terrorists, and he retired to the family’s farm in Louisiana to take care of his 12-year-old sister Sara and their grandfather Jimmy. Larry Richards, a black man running for the Senate, is one of Matt’s best friends. Larry has become the target of The Pentangle, a racist organization led by a man named Glastenbury, and Glastenbury doesn’t want Larry to be elected. In an attempt on Larry’s life during a Mardi Gras parade in New Orleans, The Pentangle kills one of Larry’s sons. Matt lets Larry, his wife Daisy, and his other son move to the remotely located farm so they can hide from Glastenbury and the Pentangle, but the Pentangle strikes again, setting the farmhouse on fire. Matt and Sara escape as the only survivors. Then the Pentangle kidnaps Sara, sending Matt on a mission to rescue Sara from Glastenbury and the Pentangle

Five college friends take a detour while traveling to their spring break destination. They end up in the remote mountain town of Blueridge, where Karen (Marina Resa) believes her older sister went missing 2 years before. After a few odd encounters with the locals, Karen and her friends decide to continue their journey until an unexpected auto malfunction leaves them stranded. The group takes refuge in a local motel and soon learns that in Blueridge, “missing persons” is just a way of life. One-by-one they begin disappearing until the grizzly discovery is made that the local BBQ Rib Restaurant might be serving up more than anyone had bargained.

Freelance reporter Jennifer and her two friends, Karen and Vicki, accept an invitation for cheap room and board in a large farmhouse offered by a friendly, but shady, museum owner named Ernest Keller since all the motels in and around town are booked for a holiday parade fair Jennifer is covering. But unknown to the women, some unseen “thing” has been living in the basement of the house for over 20 years and is looked after by Keller and his shy sister Virginia, in which the “thing” soon gets out and begins harassing and killing the women one by one in various violent, but seemingly accidental, means.

In a small seaside town, two schoolgirls are assaulted by a middle-aged man in a motel. Mia, a teenager who was working on reception that night, is the only witness. For fear of losing her job, she says nothing. Meanwhile, 12-year-old Wen, one of the victims, finds that her troubles have only just begun. Trapped in a world that offers them no safety, Mia and Wen will have to find their own way out.

A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. “Office at Night”, “Western Motel”, “Usherette”, “A Woman in the Sun”) into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.